tag:blogger.com,1999:blog-63563899551029331442024-03-13T02:23:19.369+01:00Séverine Urwyler - ProjectsVOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-6356389955102933144.post-64303644040891358432015-06-19T10:47:00.000+02:002015-08-13T21:08:22.141+02:00STASIS<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: small; font-weight: normal;">Eine begehbare Soundinstallation im Keller eines ehemaligen Lagerhauses - die szenografische und akustische Inszenierung einer still stehenden Lagerstätte unter der Stadt, einem Zeitraum ohne Veränderung.</span></h3>
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<span class="s1">Die Installation ist vom 10. - 18. August 2015 an der Grubenstrasse 15 zu begehen und täglich geöffnet von 12 - 22 Uhr (Dauer ca. 30 Minuten).</span></div>
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<span class="s1">Eintritt 10 CHF</span></div>
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<span class="s1">Die Plätze sind limitiert - Anmeldung erforderlich unter: <span class="s2"><a href="mailto:contact@surroundtheworld.com">contact@surroundtheworld.com</a></span></span><br />
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VOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.comtag:blogger.com,1999:blog-6356389955102933144.post-38385877280337444722015-06-05T20:39:00.001+02:002015-06-10T21:59:43.022+02:00DISPLAYING HUMANS<div dir="ltr" style="text-align: left;" trbidi="on">
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VOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.comtag:blogger.com,1999:blog-6356389955102933144.post-89539068513142586882015-03-14T12:54:00.000+01:002015-06-12T12:42:50.941+02:00I N T O P I A<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://www.transeuropa-festival.de/2015/" target="_blank"><span style="color: orange;">Transeuropa Festival Hildesheim 27.05 - 01.06.2015</span></a></h3>
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<span style="font-family: Zurich, arial, sans-serif; font-size: 12px; line-height: 15.6000003814697px;">The artist Séverine Urwyler invites visitors on her sound massage table for a journey inside their bodies. Similar to the hearing</span><br />
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system of insects - who are listening with their legs - the auditory perception is perceived through structure-borne sound waves<br />
and therefore evokes a new auditory paradigm. Bones and hollow spaces such as a ribcage or a skull are amplifying the sound<br />
and create a very precise sound image. Elsewhere at the peripheral body zones a complete different sonority appears and<br />
evokes physical reactions such as shuddering. The installation plays with the perceptual conventions of the auditory and the<br />
tactile: Lying on the sound massage table your body and the space around you become confused, whilst the present dissolves<br />
into numerous experiences of the here and now.</div>
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<span style="line-height: 15.6000003814697px;">The performance is part of the residency program of</span><span style="line-height: 15.6000003814697px;"> </span><span style="color: orange;"><i style="line-height: 15.6000003814697px;"><a href="http://www.transeuropa-festival.de/2015/" target="_blank"><span style="color: orange;">transeu</span><span style="color: orange;">ropa</span></a></i><span style="line-height: 15.6000003814697px;">.</span></span></div>
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<b>One-to-one Soundperformance</b> (In deutscher und englischer Sprache):</div>
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Do. 28.05. 17:00 - 20:00 und 21:00 - 24:00 / <i>Festivalzentrum (Anmeldung erforderlich)</i></div>
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Fr. 29.05. 16:00 - 19:00 und 20:00 - 23:00 / <i>Festivalzentrum (Anmeldung erforderlich)</i></div>
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Sa. 31.05. - Mo. 01.06. jeweils 12:00-15:00 und 16:00-19:00 / <i>Festivalzentrum (Anmeldung erforderlich)</i><br />
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<i><a href="http://volumenexpress.blogspot.com/2015/06/i-n-t-o-p-i-transeuropa-festival.html" target="_blank"><span style="color: orange;">Press: Hildesheimer Allgemeine Zeitung</span></a></i></div>
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VOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.comtag:blogger.com,1999:blog-6356389955102933144.post-56329717815884195892015-01-04T22:06:00.001+01:002015-02-06T15:02:05.179+01:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Schizophonia - Soundliegen am 28. Stuttgarter Filmwinter - Festival for Expanded Media.</span></h2>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">15.1.2015 - 18.1.2015 jeweils </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">von 15.00h - 19.00h </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">im Kunstbezirk Stuttgart.</span></h3>
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<a href="http://www.filmwinter.de/de" style="background-color: white; color: #888888; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 15px; font-weight: bold; line-height: 21.6216011047363px; text-decoration: none;" target="_blank"><span style="color: #e06666;">http://www.filmwinter.de</span></a></h3>
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The artist and stage designer Séverine Urwyler collects Soundscapes of collective emotions and transfers the acoustic expression directly under the skin. In Schizophonia, she stages the space inside the visitor's body. By way of direct contact with the membranes - in the form of exciters -, the space inside the body turns into a sounding and reverberating body in which sound can be experienced physically.</div>
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The visitor is welcomed on a massage bed equipped with 32 exciters which are then arranged on the visitor's body by the artist. Conditioned by the body's anatomy, they can now be perceived with various levels of intensity. Schizophonia is a mental movie: its not the eyes transporting the images into the body but its the image created on the inside while lying on the sound bed.</div>
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VOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.comtag:blogger.com,1999:blog-6356389955102933144.post-31698858044264017362014-07-14T12:42:00.000+02:002015-06-12T12:49:21.377+02:00SCHIZOPHONIA - SOUNDLIEGEN<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="s1"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Die Künstlerin Séverine Urwyler sammelt binaurale Soundscapes ausgewählter Fussballspiele. In ihrer inneraktiven Soundinstallation SCHIZOPHONIA - SOUNDLIEGEN kann sich jeder den akustischen Ausdruck kollektiver Emotionen direkt unter die Haut gehen lassen. Erregte Fans erfahren durch SCHIZOPHONIA Zustände tiefer Entspannung. Die Einverleibung ekstatischer Rhythmen und der eigene Körper als Resonanzraum - eine meditative Fussballerfahrung.</span></span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">32 Exciters welche auf dem Körper des Protagonisten aufliegen sind durch die Anatomie des Körpers unterschiedlich wahrnehmbar. Körperstellen bei denen Exciters direkt auf der Knochenstruktur des Körpers aufliegen, etwa beim Schädelknochen, oder durch Hohlräume geprägt ist, etwa dem Brustkorb, wird der Kopf des Protagonisten zum Lautsprecher. Geräusche sind dort in feinster Variation vernehmbar. Es entsteht ein Kopfkino, bei dem nicht die Augen die Bilder ins innere des Körpers tragen, sondern die Bilder im Innern entstehen lassen. An der Fusssohle mit geringerem Hohlraumvolumen und einer isolierenden Struktur (Flüssigkeiten) werden die Exciters zum Massageobjekt. Durch die Beschaffenheit eines Exciters, der fehlenden Membran erfolgt eine physische direktübertragung der Geräusche, in Form von Vibrationen. Reflexartige Reaktionen wie Zuckungen des Körpers werden ausgelöst. Von Aussen sind die Geräusche nur gering wahrnehmbar.</span></div>
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VOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.comtag:blogger.com,1999:blog-6356389955102933144.post-52410284101192692442014-06-04T12:05:00.000+02:002014-10-22T21:37:32.108+02:00SURROUND AT BIENNALE BERN PRÄSENTIERT:<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, Verdana, sans-serif; font-size: 13px; font-weight: normal; line-height: 16.899999618530273px;">Séverine Urwyler / Lukas Sander: Konzept + Installation </span><br />
<span style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, Verdana, sans-serif; font-size: 13px; font-weight: normal; line-height: 16.899999618530273px;">Christian Berkes: Sound </span><br />
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<span style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, Verdana, sans-serif; font-size: 13px; font-weight: normal; line-height: 16.899999618530273px;">15.-20. September 2014 </span><br />
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<span style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, Verdana, sans-serif; font-size: 13px; font-weight: normal; line-height: 16.899999618530273px;">Dauer: 90 Minuten </span><br />
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<a href="http://www.surroundtheworld.com/"><span style="color: #e06666;">WWW.SURROUNTTHEWORLD.COM</span></a><br />
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<a href="http://www.biennale-bern.ch/2014/Programm/SURROUND"><span style="color: #e06666;">WWW.BIENNALE-BERN.CH/2014/DAS+FESTIVAL</span></a><br />
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<a href="http://blog.derbund.ch/kulturstattbern/blog/2014/09/19/kopfkino-im-raum-zeit-kontinuum/"><span style="color: #e06666;">WWW.DERBUND.CH</span></a><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b><span style="background-color: white;"><span style="color: magenta; font-size: small;">DOCUMENTARY LECTURE PERFORMANCE. OSLO; FREDRIKSTAD 2009, TRONDHEIM 2011. STAVANGER AND HAUGESUND 2012</span></span></b></span></h2>
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<span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px;">Concept: <span style="font-weight: bold;">Veronika Bökelmann, Séverine Urwyler, Marco D. Vitanza</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px;">Performers: </span><span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px; font-weight: bold;">Séverine Urwyler, Marco Demian Vitanza</span>, <span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px; font-weight: bold;">Veronika Bökelmann</span></div>
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<span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px;">Video/outside eye: </span><span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px; font-weight: bold;">Veronika Bökelmann</span></div>
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<span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px;">Space design: <span style="font-weight: bold;"></span></span><span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px; font-weight: bold;">Séverine Urwyler</span></div>
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<span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px;">Dramaturgy: </span><span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px; font-weight: bold;">Veronika Bökelmann</span><span style="font-family: verdana; font-size: 14px; font-weight: bold;">, </span><span class="Apple-style-span" style="font-family: verdana, -webkit-fantasy; font-size: 14px; font-weight: bold;">Marco Demian Vitanza</span></div>
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<span style="font-family: verdana; font-size: 14px;">Technician, Light design: </span><span style="font-family: verdana; font-size: 14px; font-weight: bold;">Yasin Gültepe (Ondskapend teater)</span></div>
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<span style="font-size: x-small;"><b>BOOKING CONTACT. Marco Demian Vitanza. m.d.vitanza@gmail.com<span style="font-family: Verdana, sans-serif;">. </span></b><b>tlf: +47 95268027</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgIGXJc42-KqoSopKb7BlUPRwfPFzaLP1FxYfdvOjPPgT8dNVJPXzsPtgeGWSDiY39hBEyd4glDcmkTZJFEGUPw_nz0M2lNaF-JllFW2zrM-xSV-v5CO1PI3kjXo-TrLevEHAA1RXMv8sH/s1600/vi_beskytter8web.jpg" style="font-family: verdana;"><img alt="" border="0" height="480" id="BLOGGER_PHOTO_ID_5477813941748442514" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgIGXJc42-KqoSopKb7BlUPRwfPFzaLP1FxYfdvOjPPgT8dNVJPXzsPtgeGWSDiY39hBEyd4glDcmkTZJFEGUPw_nz0M2lNaF-JllFW2zrM-xSV-v5CO1PI3kjXo-TrLevEHAA1RXMv8sH/s640/vi_beskytter8web.jpg" style="display: block; margin: 0px auto 10px; text-align: center;" width="640" /></a></div>
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<span style="font-family: verdana;"><b>ABOUT THE PIECE: </b></span><br />
<span style="font-family: verdana; font-size: x-small;"><i>(ENGLISH, Please see also Norwegian version below)</i></span><br />
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<span style="font-size: 14px;">“Ja vi elsker dette landet”, "We love this country" sings the 90 year- old Rudolf Geiss with tears in his eyes about Norway. He was one of the German soldiers who had occupied Norway under the 2nd World War. And he fell in love with the country, as he says today.</span></div>
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<span style="font-size: 14px;">The documentary lecture performance VI BESKYTTER LANDET takes a look at mutual war memories. Created for touring in high schools it creates an intricate retrospect on the relationships between German soldiers and Norwegian women during the occupation. Formally it fluctuates between sober lecturing and poetical abstractions of intimacy: Historical objet trouvés, original soundclips, live-pro-jected images, archive texts and interviews meet with the performers’ body, reminding of the physical aspect in the German-Norwegian relationships. The different medias are sometimes unison, and sometimes disharmonious, but always with the purpose of transmitting history as something tactile. Something touchable. A lost object. A retrieved person. Somehow, this is also the history of history. Or perhaps a journey through the desolate landscape between humans and the very own history it has shaped.</span></div>
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<i><span style="font-size: 14px;">(NORSK.)</span></i></div>
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<span lang="NO-BOK" style="font-size: 14px;">“Ja vi elsker dette landet...” synger 85 år gamle Rudolf Geiss, en av de tyske soldatene som okkuperte Norge under annen verdenskrig. <i>Vi beskytter landet</i></span><span lang="NO-BOK" style="font-size: 14px;"> er en dokumentarisk lecture-performance som gir innblikk i forholdene mellom tyske soldater og norske kvinner under og etter okkupasjonstiden. Oppsetningen er i seg selv som en erindring, eller noe glemt, hvor det paradoksale og vrange ikke blir lagt til side. Oppsetningen beveger seg frem og tilbake mellom helt nøktern forelesningsform til en abstrahert og poetisk atmosfære av intimitet. Tilskueren konfronteres med et multimedialt uttrykk: Projiserte bilder og objekter, lydmateriale og fremført tekst bærer arkivenes støv med seg, mens performernes tilstedeværelse minner om det kroppslige elementet i de tysk-norske forholdene. Tidvis er de forskjellige mediene samstemte, og tidvis skaper de disharmoni, men formålet er hele tiden å formidle historie som noe taktilt. Noe man kan ta på. Et etterlatt objekt. Et gjenfunnet menneske. Dette er dermed også historien om historien, eller en reise inn i det øde landskapet mellom mennesket og den historien det har skapt.</span></div>
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<tr><td class="tr-caption" style="font-size: 13px;"><span style="font-size: 11px;">"Intelligence test proves: All war brides were more or less mentally retarded,"</span><span style="font-size: 11px;"> Newspaper Aftenposten, 1947 </span></td></tr>
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<span style="font-size: 11px;">Sunset drawn by soldier Rudolf during the occupation of Norway 1943 </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixAI3tMcroL2q9uk_zmbsBaqG81lBpcJzcm-X-ZEtMtlzJs0QaxJbo0ktae0xquks5PJEfXrsuvkHAHYOgQJafPASQFEHcMU-qGOSFTALZ5nhAntPTLOZ-3KwugRQeLCQbF24GgnOUZr6Q/s1600-h/Picture+1.png" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5393640158432022066" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixAI3tMcroL2q9uk_zmbsBaqG81lBpcJzcm-X-ZEtMtlzJs0QaxJbo0ktae0xquks5PJEfXrsuvkHAHYOgQJafPASQFEHcMU-qGOSFTALZ5nhAntPTLOZ-3KwugRQeLCQbF24GgnOUZr6Q/s200/Picture+1.png" style="float: left; height: 54px; margin-bottom: 10px; margin-left: 0pt; margin-right: 10px; margin-top: 0pt; width: 187px;" /></a></div>
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VOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.comtag:blogger.com,1999:blog-6356389955102933144.post-35745099905064140162009-03-18T07:56:00.007+01:002015-06-12T12:46:10.228+02:00TYSKERJENTER (German Girl/Deutschenflittchen)<div dir="ltr" style="text-align: left;" trbidi="on">
<span class="Apple-style-span" style="font-family: Times;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8U1aFifv03W26ndZf3Cj-eUWpF-fON-8JW5VAb__XKV68KTKYPbMcn9FmJGJuI-nSLRUDXU0SBL_V7NuIZWlGta5ZxHMykhcBOOsLsUzM3MHSevRN-eqVwNAk6mYdwEJiXlj9fZO-RXiA/s1600-h/Tyskerjenter83.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="424" id="BLOGGER_PHOTO_ID_5326407267868539026" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8U1aFifv03W26ndZf3Cj-eUWpF-fON-8JW5VAb__XKV68KTKYPbMcn9FmJGJuI-nSLRUDXU0SBL_V7NuIZWlGta5ZxHMykhcBOOsLsUzM3MHSevRN-eqVwNAk6mYdwEJiXlj9fZO-RXiA/s640/Tyskerjenter83.jpg" style="display: block; margin: 0px auto 10px; text-align: justify;" width="640" /></a></span><span class="Apple-style-span" style="font-family: Times;"></span><br />
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<span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-family: Georgia;"><span style="font-family: Times; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">“I</span></span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">t has been a disturbing experience to be </span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">confronted with a body in such an intimate way</span></span></span><span style="font-family: Times; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">: </span></span><span class="Apple-style-span" style="font-family: Times;"><span style="font-family: Times; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">A</span></span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">nonymously and stored away</span></span></span><span style="font-family: Times; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">. S</span></span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">he is a number in the statistic and yet a living, breathing body</span></span></span><span style="font-family: Times; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">." </span><span class="Apple-style-span" style="font-family: Times;"><span style="font-family: Times; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">(K</span></span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">ristian Skylstad in Kunstkritikk</span></span></span><span style="font-family: Times; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">.</span></span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">no</span></span></span><span style="font-family: Times; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">)</span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span class="Apple-style-span" style="font-family: Times;"><span style="font-family: Times; font-size: 11; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">“H</span></span></span></span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">ere it does not help to have blue eyes.</span></span></span><span style="font-family: Times; font-size: 11; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">”</span></span></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Newspaper Aftenposten about the internment camp, 1945</span></span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;">(German version below)</span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">The theatre installation </span></span><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Tyskerjenter</span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;"> premiered in 2008 on the Island Hovedøya in the Oslo fjord, where</span></span><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;"> an internment camp for so-called ‘tyskertøs’ was situated after the 2nd World War. 'Tyskertøs' ("German sluts) were women who had intimate relations with German soldiers during the occupation. In the camp the inmates were tested for venereal disease, intelligence and mental disorders. “Could she inherit severe psychological defects to her offspring?” is one the archived questions of a doctors’ questionnaire of the camp. </span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">The place itself keeps silent. Grass has grown over the place where the barracks used to be. <span class="Apple-style-span" style="font-family: Georgia;"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Tyskerjenter</span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;"> explores the void in the archive, what is stored and what is erased in the memory. </span></span></span></span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">In </span></span><span style="font-family: Times; font-size: 8; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Tyskerjenter</span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">the visitor walks through the installation room like through a brain. Like memories traces of the past are fragmented in the space. The audience member himself becomes the ‘memorizer’ connecting the information. He is physically confronted with a disturbing incoherence that manifests itself in the space.</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Performance setting is Lindøysundmagasinet on Hovedøya, a building used as storage for explosives and later for files of the 2nd world war. </span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Texts stored in archives is used as text material: statistics of the camp, police reports, intelligence tests and a Norwegian language guide of a Wehrmacht-soldier.</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-weight: bold;">The project was kindly supported by Norsk Kulturråd, Goethe Institut, Fond for lyd og bilde, FFUK and Fritt Ord.</span></span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Involved artists:</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Concept, realization, dramaturgy: VOLUMEN EXPRESS and friends, Veronika Bökelmann, Séverine Urwyler Concept consulting: Anett Vietzke. Dramaturgical consulting: Demian Marco Vitanza, Camilla Eeg. Performer: Elisabet Hagi Aars, Zoé Alibert, Fernanda Branco, Anders Høgli, Christina Nikolaisen, Anne Synnøve Skogstad, Anne Storberget, Demian Marco Vitanza. Choreografy: Zoé Alibert. Voice: Huy le Vo. Sounddesign: Per Platou. Lightdesign: Susanne Irene Fjørtoft. Stage design assistance: Morten Haugmo, Daniel Schütz. Video documentation: Anett Vietzke. Foto documentation: John Hugh. Videoanimation: Ignas Krunglevicius. Fotos for Karaoke-video: Dieter Bökelmann. Flyer / Poster: Dominik Huber, Tobias Spichtig. Production: Stefan Stave, Last Ink Company</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">German version:</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: large;">TYSKERJENTER – Deutschenflittchen</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: large;">Theaterinstallation auf der Insel Hovedøya </span></span><span style="font-family: Times; font-size: 13; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: large;">im Oslofjord, Norwegen, August 2008</span></span></span></div>
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<span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Tyskerjenter </span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">untersucht die Lücke, das Archiv, die Erinne-rung. Auf der Insel Hovedøya im Oslofjord wurden 1945-46 Norwegische Frauen in einem Lager interniert, die intime Beziehungen mit Wehrmachtssoldaten hatten. “Hier nützt es nichts, blauäugig zu sein,” schreibt die Zeitung Aftenposten 1945 über das Lager. Insassinnen wurden dort ärztlich untersucht auf Geschlechtskrankheiten, Intelligenz und Zurechnungsfähigkeit.</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">“ Meinen sie, dass aussergewöhnliche seelische oder körperliche Mängel an mögliche Nachkommen vererbt werden können?” heisst es im Ärztefragenbogen. Der Ort selbst schweigt. Gras ist über die Stelle gewachsen, wo einst Lagergebäude standen.</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Der Zuschauer geht durch den Installationsraum wie durch ein Gehirn. Informationen sind bruchstückartig an verschiedenen Orten gespeichert, wie beim Akt des Erinnerns verknüpft der Besucher diese selbst und jeweils subjektiv anders. Dabei begegnet er verstörender Inkoheränz, die sich im Raum manifestiert.</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Spielort ist ein ehemaliges Waffen-und Explosivstofflager auf der Insel Hovedøya. Nach dem Krieg wurden dort Akten der Organisation Todt und der Wehrmacht gelagert. Als Texte dienen Archivmaterialen: Sprachlehrbücher von Wehrmachtssoldaten, Lagerstatistiken, Ärztefragebögen, Abhörprotokolle, Intelligenzteste und Lieder wie “Razziafest”, das der Lagerleiter Adolf Hals selbst verfasst hatte 1945.</span></span></div>
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<span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Tyskerjenter</span></span></span><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;"> wurde gefördert mit Mitteln vom Goethe Institut, Norsk Kulturråd, Institution Fritt Ord, Fond For Lyd Og Bilde und Fond For Utovende Kunstner (FFUK)</span></span></div>
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<span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Audience in </span></span><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: verdana;"><span class="Apple-style-span" style="font-size: small;">Tyskerjenter</span></span></span></div>
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<span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="font-family: Georgia; font-size: 48;"><span class="Apple-style-span" style="color: #0000ee; font-size: 16;"><img alt="" border="0" height="640" id="BLOGGER_PHOTO_ID_5337891083447112754" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifXESB-3htLOsJ_MdrcYEKIHYSL6D4jJjfG66K9oqj34GjLHHBciTqXywEnO5EbhqQ_TN2kKPb2Rtg9GaenvL0l2Zx4M_BU5Ue1ewW5jun_qEIqPUu0lT-WK85pKMxB2ZUfseTSiIaI-i6/s640/Tyskerjenter6.jpg" style="display: block; margin: 0px auto 10px; text-align: center;" width="612" /></span></span></span></div>
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VOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.comtag:blogger.com,1999:blog-6356389955102933144.post-27656321400432000162009-03-04T16:07:00.005+01:002015-06-12T12:48:29.144+02:00SCHLUCKEN! - SWALLOW!<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: 100%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIvPTGEryHil8bb69_YXvUecJzH4zFoNvRHEOAkesA5Or6hvSzwNkhyjHln48I8ZY_-l7Z9NMcVq3JlZgAtcYoXM3weBkbwQ6RiL9J53gwMRDXBQv46nNqRS5jBHAuoDcI0VVFDuElEHwj/s1600-h/Schlucken2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="480" id="BLOGGER_PHOTO_ID_5326487316859086498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIvPTGEryHil8bb69_YXvUecJzH4zFoNvRHEOAkesA5Or6hvSzwNkhyjHln48I8ZY_-l7Z9NMcVq3JlZgAtcYoXM3weBkbwQ6RiL9J53gwMRDXBQv46nNqRS5jBHAuoDcI0VVFDuElEHwj/s640/Schlucken2.jpg" style="display: block; margin: 0px auto 10px; text-align: center;" width="640" /></a></span>SCHLUCKEN! - SWALLOW!</div>
<span style="font-size: 100%;">Video Installation by VOLUMEN EXPRESS and friends<br />in collaboration with </span><span class="Apple-style-span" style="font-family: verdana; font-size: 100%;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-family: arial;"><a href="http://defizit.org/" target="_blank">http://defizit.org/</a></span></span></span><span style="font-size: 100%;"><br />Oslo, Norway 2006; Ottersberg, Germany 2007<br />© VOLUMEN EXPRESS<br /></span><br />
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<span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: verdana;">Schlucken!</span></span><span class="Apple-style-span" style="font-family: verdana;"> shows the face of an illegal immigrant who is forced fed in a prison in Austria. “Swallow!” the female’s doctor’s voice insists repetitively.</span></span></div>
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<span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-family: verdana;">Schlucken is projected on a massage table and refers to misguiding, enjoyable names of torture techniques like telephone, jukebox, shower or Disco.</span></span></div>
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VOLUMEN EXPRESS and friendshttp://www.blogger.com/profile/17802782104227227698noreply@blogger.com